Place · from book 1
Production trailers
Boats on the winter ocean where crawlers are held between floors while a holographic studio is projected around them for interviews. Menus go dark, the sets are bigger than the rooms, and nothing on the couch is quite real except the cat treats.
First appears: Book 1
Series arc
Through book 3
A submarine below sea level where the interface still works and the furniture is stolen (B3 ch. 20); a surface trailer where Katia's race switches off (B3 ch. 35).
Through book 1
Two boats, three interviews. The between-floors rhythm the series will keep: Odette first, then whoever Zev books.
Through book 2
Where they appear
| Book | Chapters they are in (of the book's) | Where |
|---|---|---|
| 1 — Dungeon Crawler Carl | 6/48 | Ch. 28, Ch. 29, Ch. 36, Ch. 41, Ch. 42, Ch. 43 · the book's own page |
| 2 — Carl's Doomsday Scenario | 6/26 | Ch. 1, Ch. 18, Ch. 19, Ch. 20, Ch. 25, Ch. 26 · the book's own page |
| 3 — The Dungeon Anarchist's Cookbook | 6/35 | Ch. 2, Ch. 10, Ch. 18, Ch. 20, Ch. 34, Ch. 35 · the book's own page |
By book
Production trailers in book 1 — Dungeon Crawler Carl
Odette's yacht with its blue velvet green room (ch. 27–ch. 29, epilogue), and Senegal Production Systems' rental closet on a smaller, rougher boat (ch. 41–ch. 43). Menus off, holograms on, real fruit, drugged treats, a porthole over the toilet showing stars over calm water. Crawlers may be taken between stairwells without asking; at any other time the request goes through Zev (ch. 36).
Production trailers in book 2 — Carl's Doomsday Scenario
Production trailers in book 3 — The Dungeon Anarchist's Cookbook
A submarine, a 'deluxe rental trailer' and a 'security trailer,' with a floodlit seabed and Carl's interface still working, because below sea level is still the main zone (ch. 20). Carl steals the cooling shelves, the makeup table, the couch and the cat treats. The epilogue's surface trailer locks inventory and switches Katia's race off (epilogue).